pp. Christophe Leclercq
, All content copyright Bruno Latour 2011 unless otherwise noted. Based on a result of 25 years inquiry, Latour has developed a research protocol very different from the actor-network theory, with which his name is now widely associated. Surround yourself with … [13] Bettina Korintenberg, a curator at ZKM. The odd notion of multiple “cultures” disappears along with that of “one nature”. Hau Journal has recently published the texts of talks given by Bruno Latour, Phillipe Descola, Michael Fischer, Kim Fortun, and others at the recent AAA conference. Together with the other members of the AIME team (Pierre-Laurent Boulanger, Christophe Leclercq, Patrice Maniglier, Donato Ricci and Pierre Jullian de la Fuente), Latour will present the current project on the inquiry on Modes of Existence. Latour, however, explicitly eschews direct concern with non-Europeans in the AIME project (Karlsruhe) to focus (a) on the central institutions of modernity (à la the 1986 call of Anthropology as cultural critique, though that was inclusive of non-Europeans [Marcus and Fischer 1986]), as well as (b) one of many calls to explore digital platforms as media for emerging, “digital humanities.” As a consequence, every practice, by comparison with this ill adjusted standard, becomes a lie: religion, law, fiction, but also, strangely enough, science and technology as well. But the most important goal is to help the readers of the book or the future users of the platform become co-inquirers by first asking them to answer the questionnaires that form the groundwork of the project, and, second, by criticizing the questionnaire and modifying the project more and more as the thought collective expands. I argue that actor-network theory should now only be understood as an integral aspect of Latour’s newer inquiry, and ought no longer to be considered in isolation but instead as being integrated within a critical as well as pragmatic reading of Latour’s AIME project. Now, the AIME project is an excessively long and elaborated, and in some way, systematic, enquiry on the modern. I argue that Latour’s semiotics (and associated conceptions of both networks and ontologies) are functionalist in a way that mimics industrial logic, discounting both the production of hierarchical differentiation within … Such a table registers the set of “category mistakes” one is tempted to make when using a set of truth conditions to evaluate another practice. [14] Peter Weibel (1944-), an Austrian artist and critic who has served as the Director of ZKM from 1999. Kyle McGee's 'The Normativity of Networks' is one of those books. Thus, instead of a general division between the visible and invisible, the real and imagined, spiritual and material agents, a much larger gamut of possibilities of existence is envisaged, and as far as possible, precisely delineated. AIME is a nervous tentative project of overwhelming ambition and uncertain consequence. I situate Latour’s latest project—An Inquiry into Modes of Existence (AIME)—in the context of late industrialism and query both its conceptual underpinnings and the design of its digital platform. Bruno Latour, ‘Give Me a Laboratory and I will Raise the World’, in Karin Knorr Cetina and Michael Mulkay (eds), Science Observed: Perspectives on the Social Study of Science (London: Sage, 1982), Existenzweisen. During that time, ... Today we are releasing a newer version of the digital platform, featuring the project’s English content. A perfect fulfilment of the AIME project." Similar studies of other domains have followed: law, economics, finance, to name a few. A book to be published in French in September 2012 and in English by Harvard University Press, first digitally in early 2013 and later on paper, will summarize what has been learned so far by this research program. But it is clear that such an undertaking has no chance of succeeding if pursued by one solitary author. The AIME project seeks as an inquiry for learning, how to compose a common world. Once they enter into this soul searching effort, it is possible to think of comparative anthropology as a diplomatic enterprise where the former Moderns, to the relief of all the former “others”, are no longer cheating about who they are, what they come from and what they want to achieve. Bruno Latour, Sciences-Po "From time to time, although much too rarely, comes a book that shatters the very foundations of what we believed. Enter the email address you signed up with and we'll email you a reset link. Bruno Latour a rejoint Sciences Po en 2006 comme Professeur des Universités, avant d’en devenir directeur adjoint et directeur scientifique à la rentrée 2007. It argues that voicing as an agental socio-material assemblage is sympathetic both to Latour’s more recent AIME project and Dobson’s understanding of political voice grounded in agency. He is especially known for his work in the field of science and technology studies (STS). If you are already well versed in the project, you might want to contribute very early on to the scenographies of the platform by sending our way materials, references, films or any documents either to enrich our documentation or to test the one we have assembled before it is published. Abstract: This paper summarises my various analyses of the AIME project and evaluates it in terms of five criteria: diplomacy, originality, digitality, testability, and democracy. For instance, what happens when the felicity conditions used for a scientific judgment are applied to a legal one? In a second step they use Armin Linke's photography as… AIME - … Latour's project in AIME is to (provisionally) map out the different modes of existence, each with its own specific mode of passes and hiatuses, its own trajectory and its own value/product flowing through it when all is in place. To fulfill its philosophical scope, AIME strives to turn some readers into co-inquirers, thus assuming a collective and collaborative dimension. De 1982 à 2006, il a notamment été professeur au Centre de sociologie de l'innovation, professeur invité à la LSE et au département d'Histoire des sciences d'Harvard. [13] Bettina Korintenberg, a curator at ZKM. Such a complete disconnect between two totally opposite versions of the modernist's arrows of time would not be of much consequence if it had not rendered it impossible to understand the other collectives encountered in the course of history. Toldbodgade 37b, 1253 København K Denmark Get in touch Tel: +45 3555 1100 Email: hello@ciid.dk CVR: 29916489 Get Social. Eine Anthropologie der Modernen (französisches Original: Enquête sur les modes d’existence: Une anthropologie des Modernes. It will be conducted by several individuals and it will have an interactive component as several roles and … Kyle McGee's 'The Normativity of Networks' is one of those books. Currently, we have a political situation in which we have to deal with an ecological mutation in which politics becomes extremely difficult to pursue. This is true first of science, once it is freed from the odd epistemology that had disguised for so long its peculiar set of felicity conditions. [14] Peter Weibel (1944-), an Austrian artist and critic who has served as the Director of ZKM from 1999. Understanding. The second goal is to offer those who have read the book the supplementary material that is needed to understand and complement the limited set of examples and documents provided by the written form. I have been reading Latour’s book An Inquiry into Modes of Existence (Latour, 2013, hereafter referred to as AIME) and I am almost exactly half-way through. In one of the first public presentations of AIME, delivered in late 2011, he defined AIME as a collective procedure triggered by a series of troublesome anthropological and philosophical questions. The principle of the inquiry has been to recognize that there exist several sets of felicity and infelicity conditions the conflicts of which are revealed in many practical instances that can be empirically documented. If you now imagine a table that registers the various conflicts between the different sets of felicity and infelicity conditions revealed by the different extensions of networks, you begin to build a systematic inquiry into the set of values held by the Moderns, a set their grand narrative of the modernizing frontier could not adequately map out. Bruno Latour, one of the architects of actor-network theory, has now enfolded this approach within a larger project: An Inquiry into Modes of Existence. The latter is taken as a “lie” since it does not fit the pattern expected from science. This is why, in parallel with the research on networks, another line has been pursued all along to capture not, this time, the heterogeneous associations, but rather the various ways in which those associations were binding entities together. So much so that the arrow of time, instead of leading to emancipation, now goes from more and more entangled matters of concern. 120-123. The paper draws on this critique to suggest a conception of voice as ‘voicing’. In each case, it has been shown that the grand narrative of modernization does not do justice to the very institutions developed by the Moderns. The AIME project seeks as an inquiry for learning, how to compose a common world. and secondly: read this nifty bit of information: The Primary French Project can help teachers to get started, … The first one, known by the label of actor network theory (ANT), has tried to redescribe each of the central institutions of contemporary societies by following the heterogeneous network of associations that make them up. The horizon of the project is what I call Gaia. Bruno Latour (/ l ə ˈ t ʊər /; French: ; born 22 June 1947) is a French philosopher, anthropologist and sociologist. Based on a result of 25 years inquiry, Latour has developed a research protocol very different from the actor-network theory, with which his name is now widely associated. Launched by Bruno Latour in 2012, the AIME empirical philosophy project (An Inquiry into Modes of Existence) works on testing new ways of conducting shared, collective and open philosophical inquiries. The Lakefront Cottage or The French Farmhouse. I juxtapose the modes of reference [REF] and fiction [FIC] with a famous digression reflecting on historiographical practice in William of Malmesbury’s Gesta regum … Bruno Latour, Christophe Leclercq and Dorothea Heinz presenting their new project "AIME". You may also participate in the preliminary discussions concerning the digital resources that could help us devise such a thought collective by, for instance, pointing out other such experiments, software, sites and so on. Networks are great to break down the artificial boundaries established between domains, but they fail to qualify adequately what the differences are between different sets of values that could account for the originality of the modernist adventure. If you haven't heard of the project, firstly: "Where have you been hiding?" AIME's ambition was to invent a specific medium for an empirical3 inquiry. Graham Harman - 2016 - In Bruno Latour & Peter Weibel (eds. ), reset MODERNITY! is an important extension to Bruno Latour’s most recent An Inquiry into Modes of Existence – or AIME – project. To make such an expansion viable, we will rely on a mixture of human and digital encounters. Such an inquiry was started a quarter of a century ago with a dual research program the two lines of which have run in parallel although only one has resulted in publications so far. Donato Ricci is a designer and researcher. It is fair to say that there is no relation between any of the positivist ideals of science and the experience of science in action. Dr. Latour is a leading figure in sociology, anthropology, and science and technology studies, and he is the author of numerous books, including Laboratory Life, We Have Never Been Modern, and Reassembling the Social. The AIME project is an empiric philosophical inquiry grounded on Bruno Latour’s work. Reset Modernity! What is original about the AIME project is that it raises a set of questions that allow to the inquirer to define, for each claim to existence, the specifications of these entities. While the first ideal of modernization is not sustainable because of the denial of entanglement it implies and the spurious exoticism it generates on the others as well as on itself, another project becomes at least thinkable if a more realistic narrative of the modernist project is offered. What can you do in the meantime? It is the search for those connectors that are called modes of extension or “modes of existence” to reuse a term from the French mid century philosophical tradition. Dear AIME platform users, Since last week all of the functionalities that we had planned to have fully functioning, function and in particular, the last column on the right ‘C’ for contributions. Bruno Latour, ‘Give Me a Laboratory and I will Raise the World’, in Karin Knorr Cetina and Michael Mulkay (eds), Science Observed: Perspectives on the Social Study of Science (London: Sage, 1982), pp. The volume is an edited and extended print version of an exhibition that was held in Karlsruhe from April to August 2016, bringing together the works of more than fifty academics and artists. An anthropology of the Moderns Indeed, Latour claims in his book, Modes of Existence, that his project, AIME, “is part of the development of something known by the still- vague term ‘digital humanities,’ whose evolving style is beginning to supplement the more conventional styles of the social sciences and philosophy” (Latour … As long as the Moderns are not able to provide a realistic description of themselves and what their values are, no comparative anthropology is possible. This essay focuses on two of the modes of existence posited by AIME, a collaborative project comprising Bruno Latour’s monograph An Inquiry into Modes of Existence and a multiauthored website associated with it. Dr. Latour was interviewed by Andrew Iliadis. At the end of the process, that is, after August 2014, a new book version of the original inquiry will be published together with the various digital additions. Through this undertaking, we want to explore the “future of the book” by providing an alternative scenography that is able to create a meditative atmosphere and to allow many other entries into the various experiences associated with each mode. Religion, then, was the first mode of existence that Latour observed in operation. * Bruno Latour is Professor at Sciences Po. To some extent, Latour and the AIME project replay the resolute positivity of the ACC, disavowing bad actors, conflicts of interest, and an array of externalities produced by the ontologogies they work to characterize. As the inquiry progresses, the view of the modernist project becomes more and more different from the official version offered by this form of exoticism, Occidentalism, that has made impossible until now any comparison with the other collectives because of the the lack of an acceptable baseline. Bruno Latour Existenzweisen der Moderne Ein Gespräch mit John Tresch Bruno Latour ist weithin bekannt für seine Arbeiten zur Akteur-Netz-werk-Theorie (ANT), mit denen er die Forschung ermutigte, ethnogra-phische Untersuchungen von Wissenschaftlern durchzuführen, die in ih-ren Laboren oder anderweitig «in Aktion» sind. Reset Modernity! Politics is no longer Latour’s nickname for the whole of reality, but becomes a special mode of existence different from science, religion, and law. This column allows readers to become co-inquirers and gives meaning to the whole Inquiry. Even though such a slogan might be liberating at first, it quickly leads to the nagging question: “then, what the hell have we been?” And this other question raised everywhere by those “we” have attempted to modernize: “What the hell have you been doing instead?” In order to answer those queries positively and not only negatively, it is necessary to start afresh an anthropology of the Moderns. In Bruno Latour (ed. To achieve this goal a context-aware argumentation platform has been set up. The AIME Project Latour in CPH > About > Jobs > Board > News > Events > Open Lectures; Where are we? The team presented the AIME project at the Copenhagen Business School (CBS), in Denmark. Latour and the AIME staff reported: It has been two years now since the launch of AIME. Latour’s (2013b) more recent An Inquiry into Modes of Existence project (AIME) grounded in understanding the phenomenology of different world views as ways of worldmaking echoes some of these arguments. Latour and the AIME staff reported: It has been two years now since the launch of AIME. Donato Ricci, Robin de Mourat, Christophe Leclercq, Bruno Latour… Latour’s (2013b) more recent An Inquiry into Modes of Existence project (AIME) grounded in understanding the phenomenology of different world views as … You may register on the AIME-inquiry web site so that you make sure to receive all the information about the progress of the project. Those who constantly speak of enlightenment have obscured the many sources of reason. The volume is an edited and extended print version of an exhibition that was held in Karlsruhe from April to August 2016, bringing together the works of more than fifty academics and artists. This sophisticated platform will be running in mid 2013. Latour’s AIME is no longer simply a project but a self-organising process, a digital performance converging towards an academic competence. Medien, Mediation, Übersetzung – Goody, Debray, Serres Engell: Wo haben die Medien (médias) und der Medienbegri! Barbara Kiolbassa convened Bruno Latour and Peter Weibel to explain to the public what is the "terrestrial" as part of the lectures of the... Posted: June 28, 2020 English translation by Timothy Howles of the AOC piece on "economisation" Framed as an empirical inquiry into the ontological and episte-mological conditions of modernity, Latour argues for a radical shift in how Contact Such an inquiry into modes of existence (AIME) feeds on the research on networks, but tries to qualify the mode in which those networks expand. You can download the paper by clicking the button above. exhibition at ZKM Karlsruhe and at the Shanghai Himalayas Museum.. From 2005 to 2012 he has been involved in the development of the DensityDesign Lab's research … The volume is an edited and extended print version of an exhibition that was held in Karlsruhe from April to August 2016, bringing together the works of … Hence the choice summarized by the phrase “between modernizing and ecologizing, one has to choose”. Thanks to a European Research Fund grant we are able to build up such a “thought collective” by equipping it with a tailor-made interface. MIT Press. pp. This issue of Global Discourse will examine the political significance of Latour’s later work, which has seen important developments that expand and move beyond Actor-Network-Theory. Bruno Latour, Sciences-Po "From time to time, although much too rarely, comes a book that shatters the very foundations of what we believed. Summary of the AiME project -An Inquiry into Modes of Existence. Posted: October 24, 2011 An anthropology of the Moderns The history of modernity is based on the shared feeling that there exists an arrow of time that thrusts forward, thus defining a front line that differentiates an archaic past from a more advanced future —good or bad depending on the versions. ), Reset Modernity! It is this second research program that is now coming to the fore with a book and a digital collaborative platform. Toldbodgade 37b, 1253 København K Denmark Get in touch Tel: +45 3555 1100 Donato Ricci, Robin De Mourat, Christophe Leclercq, Bruno Latour. the AIME project turns Latour’s Inquiry into a participatory anthropology of modernity through which moderns may refl ect on their condition. When the table is sufficiently filled in, especially salient becomes the generalized category mistake of using “Double Click” to lord it over all the modes. The … But in order to fight all exoticisms, including Occidentalism, one cannot be content with the negative conclusion that “we have never been modern”. The French Primary project didn't go on holiday (like the rest of Culturethèque). This includes the text of the book itself and associated vocabulary and documents. Projekt der Existenzweisen Bruno Latour im Interview mit Michael Cuntz und Lorenz Engell1 1. By using our site, you agree to our collection of information through the use of cookies. For more information please visit CBS website ("Bruno Latour and the AIME team visited the platform for a well-attended and successful public lecture"). The indicators of competence – technical jargon, one-dimensional timeline, academic diffusion, specialist applications – are increasing. Bruno Latour, Actor-Networks, and the Critique of Critical Sociology. In press releases and in the impressive catalogue, the new Reset Modernity! He followed the design aspects of Bruno Latour’s AIME project with whom he co-curated the Reset Modernity! I’m interested in multiplying the medium to deal with this question of Gaia. Hat dies auf Installing (Social) Order rebloggt und kommentierte: I am stuck, it seems – that thing is terrific…am I correct to feel old missing the printed edition? I situate Latour’s latest project—An Inquiry into Modes of Existence (AIME)—in the context of late industrialism and query both its conceptual underpinnings and the design of its digital platform. One Response to “Latour Invites Contributions to his AIME Project” Jan-H. Passoth Says: 30 October 2013 at 7:55 pm. :Detecting underlying assumptions and expected practices in the Digital Humanities through the AIME project By Donato Ricci, Robin De Mourat, Christophe Leclercq and Bruno Latour Download PDF (5 MB) London, ENGLAND: The MIT Press. In 2012 Bruno Latour initiated his most recent project “An Inquiry into the Mode of Existence”(or simply, AIME) with the French publication of the book with the same name (the English v… September 24th, 2013. AIME, which has into Modes of Existence’ (AIME), marking both a landmark in the long-collaborative AIME project and a significant development in Latour’s thought. Academia.edu no longer supports Internet Explorer. This includes the text of the book itself and associated vocabulary and documents. Welche Beziehung besteht zwischen der Mediation und den Medien, … 2012, deutsche Übersetzung 2014 von Gustav Roßler) ist der deutsche Titel eines Werks des französischen Soziologen, Ethnologen und Philosophen Bruno Latour und kann als eines seiner Hauptwerke betrachtet werden. Abstract. Voegelin, 2018). 468-474 (2016) Authors Terence Blake Abstract This paper attempts to evaluate the AIME project immanently, from the perspective of a participant, in terms of five criteria: digitality, diplomacy, religiosity, testability, and democracy. Donato Ricci is a designer and researcher. Academia.edu uses cookies to personalize content, tailor ads and improve the user experience. — detecting underlying assumptions and expected practices in the Digital Humanities through the AIME project; Web editions. Latour and the AIME staff reported: It has been two years now since the launch of AIME. LINKS: Merja Hannele Ulvinen Catherine Descure Jamie Allen. The sudden irruption of the word “anthropocene” in public discourse could serve as an emblem of this contradiction: just at the time when literati were talking of “post-humanism”, humans make a surprising come back but in an utterly different role, as a geological force equivalent to those of plate tectonics! During that time, ... Today we are releasing a newer version of the digital platform, featuring the project’s English content. Bruno Latour, one of the architects of actor-network theory, has now enfolded this approach within a larger project: An Inquiry into Modes of Existence. This is precisely the project of AIME: indeed, we could hardly have come up with a more apposite marketing gloss for the dust cover of this book! Their propositions will be reentered into the platform and added to the many new materials assembled by the coinquirers. Reset Modernity! Anomalies. Guillaume Blanc ... Susan Brown HTML Download PDF Reader-Player-User: Engaging Bruno Latour’s AIME Project… And when the referential work of scientific practice is no longer confused with the erratic claims of Double Click, all the other modes, one after the other, begin to be deployed within their own tonality, so to speak.